Saturday, 15 March 2014

Walter Tyrer - A Professional Job



Visitors to this blog can hardly fail to have noticed the warm regard I have for writer Walter Tyrer and the many classic stories he contributed to the Sexton Blake Library in the post-war period.

It gives me great pleasure to tell you that a previously unpublished Tyrer tale is about to see the light of the day due largely to the efforts of Keith `Chap O`Keefe` Chapman, who may be known to you for his past involvement with both the Sexton Blake Library and the Edgar Wallace Mystery Magazine.

It gives me even greater pleasure to tell you that I played a part in helping bring the book into the public gaze. Not in a big way, but still it`s something.

The story, entitled `A Professional Job` is not a Sexton Blake story, but is firmly in the crime/suspense category and is well worth a read.

To learn more about the unearthing of this long-forgotten gem, see my article `Walter the Wordsmith`, posted at http://bookshelvesandbrownale.blogspot.co.uk earlier today.

 
 
Thanks to Ray Elmitt for this photo of Walter Tyrer circa 1956
 

Saturday, 1 March 2014

John Hunter - The Crime on the French Frontier - Sexton Blake Library - Number 312




John Hunter - The Crime on the French Frontier - Sexton Blake Library - 3rd Series, Number 312 - 1954


A slightly disappointing effort by one of the best Blake writers of the immediate post-war period.

The annoying thing about this one is that it`s a little below par whilst having a great deal going for it. The plot is great - a motorist is shot dead on the Franco-Spanish border, an old lady in England is killed with a hammer. Blake becomes involved and soon finds the two are linked.

By the standards of this kind of thing there is quite an array of characters - a husband-and-wife team of nightclub entertainers, a crooked solicitor, an alcoholic doctor, a ruthless businessman, a pair of over-ambitious hired killers. Blake is portrayed as a rather more reflective character than usual, and this adds interest.

The problem, I think is with the writing. The plot has more than its` share of action, but the writing never really brings it to life, and the feeling one gets is of a tired writer. I am not using that as a  metaphor for a world-weary hack, I actually mean a writer who happened to be tired !  This can be seen in one or two errors - using the word `surety` when he obviously means `certainty` for instance. There`s also a scene where it takes two or three sentences to explain that Blakes` assistant has witnessed certain events through an open inner door. As the reader already knows he`s in an adjacent room, a few words would have done the trick.

It doesn`t help that Hunter obviously never expected the story to fit on 64 pages (post-war austerity measures meant a reduction in size of the SBL). Consequently the typeface used is rather too small for ease of reading and even then, the story has to end on the inside back cover.

All in all, there are plenty of worse stories about, and it doesn`t need major surgery, but a Hunter on top form could have delivered it better.


Tales From the Tainted Archive



Its` always interesting to encounter another Walter Tyrer fan online, particularly when said fan is also complimentary about this blog.

Such is the case with Gary M Dobbs, who has recently blogged about the joys of finding Walters` 1952 Sexton Blake Library title  `The Hire Purchase Fraud` in a second-hand bookshop in Cardiff recently (see http://tainted-archive.blogspot.co.uk/2014/02/sexton-blake-and-secondhand-books.html ) .

I`m sure Garys` blog will be of interest to many Sextonians and booklovers generally, so give it a look when you have a couple of minutes to spare.

Additionally, his comments have served to remind me that this blog hasn`t been getting my full attention lately.

There are reasons for that, but none that I choose to share with you ! Instead, I shall apply myself to the matter of rectifying the situation.


Happy detecting,

Nick

Thanks to Keith Chapman (aka Chap O`Keefe) for drawing my attention to Garys` blog.

Sunday, 20 October 2013

Stuart Douglas - Zenith`s End





Stuart Douglas - Zenith`s End

Stuart Douglas` Zenith`s End is the final story in the admirable `Zenith Lives` collection published by Obverse Books. But is it an end for our eponymous anti-hero, or simply a new beginning ?

Not strictly a Blake story but one that centres around the enigmatic and intriguing character of Zenith the Albino, a worthy opponent of Blakes from the early years. IIRC, Douglas` story is the only one to refer to Blake, albeit rather obliquely. It is also (I think) the only one told by Zenith in the first person.

It begins with the central character, now rendered immortal due to some mysterious dealings in the past, pondering his current situation and feeling more than a little world-weary and out of place in `70s London ( "Baker Street looked empty and grey in the winter rain, and more than ever I was aware that my time had passed").

He embarks on a quest that takes him from Baker Street to Scotland Yard`s Black Museum and then, perhaps unexpectedly, to the home of a flamboyant rock star. There events take a turn that surprises even him.

In the early part I was not quite sure what to expect. To tell the story from Zenith`s point of view, to see the world through his eyes is a master-stroke but one that has pitfalls for the unwary. To over-emphasise his world-weariness would be to cheapen it, overdo the understatement and you may miss the mark.

As the story progresses, however, I was carried along with it and there were some lovely touches, particularly in the visit to the Black Museum.

The tale has a twist or two before it runs it`s course, and is none the worse for that.

I myself am an admirer of post-war Blake, a period that I gather holds little appeal for Mr Douglas. Most of my favourite authors are dead. It follows I am what marketing types used to call a "tough sell" when it comes to this sort of think. If Mr D and the other contributors to this collection can win me over - and they have -  the chances are it will appeal to others as well.

Stuart Douglas and Obverse Books can be found at http://obversebooks.co.uk .

Most of the other stories in this worthy tome have already been reviewed in this blog - you`ll find them easily enough if you search about a bit.








Monday, 23 September 2013

`Jack` Confesses - "I Wrote a Sexton Blake !"




 
 
 
 
"I wrote a Sexton Blake.
 
I was paid half the going rate because the story had to be "cleaned up and cut down by half", although when it appeared in the bookshops, under a house-name that seemed more suited to an undertaker or a bent solicitor, not a word had been changed, not a comma snipped.   
 
As an experience to put steel into the beginner-writers` soul, it is to be recommended. Even so, the sum I got, to one not long out of blazer and straw boater, was staggering."
 
Jack Adrian, from his introduction to Sexton Blake Wins
 
I first encountered `Jack Adrian` as editor of Sexton Blake Wins and Crime at Christmas, and have only recently leaned that `Jack` is in fact author Christopher Lowder.
 
I have often wondered which Blake story he wrote, and which pseudonym was `attached` to it. 
 
Sadly, I remain in ignorance over the matter. Or can someone enlighten me ?
 
In the meantime, you can satisfy any longings you may have to learn more about Lowder by clicking on these links ;
 
 
 
 


 
 
 
 
 
 
 
 
 
 





Sunday, 22 September 2013

W A Ballinger - Murder in Camera - Sexton Blake Library- Series 4, Number 522 - Fleetway, 1963







W A Ballinger was one of a number of pen-names adopted by Sexton Blake Library editor W Howard Baker, possibly influenced by his childhood hero Charles Hamilton aka Frank Richards aka Owen Conquest aka many other people, a writer of 1930s school stories.

Having previously written one or two Blakes, Baker became editor in the late `50s and is credited with having rescued the then-flagging SBL from possible extinction, attracting new writers like Jack Trevor Story and Martin Thomas and incorporating new characters into the stories.

By the time this story appeared in 1963, publishers and copyright holders Fleetway were getting ready to abandon the SBL. Baker must have been a worried man, but there`s nothing in this story to give that away.

The story is reminiscent of his earlier Walk in Fear (aka Every Man an Enemy), except that in  this instance, Blake is brought into contact with the film world rather than the publishing industry.

Although there is an element of satire, this one falls more firmly into the `traditional whodunnit` category, but is a pretty good example of that genre nonetheless.

There are some good lines, particularly when Blake assures one character that he doesn`t, as the other imagines, think of him, as a `shark`, then stands back to allow him through a doorway. "Now you swim ahead" he says courteously.

There are also one or two good pen-portraits ;

"Geoffrey Tithe had lank, thinning grey hair and a face like a camel : haughty eyes, proud nose and lips seemingly ready to spit.

He wore a faded green jacket and a derelict pair of corduroy trousers like twin badges of virtue."

Baker`s work seems to be a mixed bag. This is not quite as good as his very best stories, but is still streets ahead of his worst. The writing has pace, and carries the reader along very agreeably, and the eventual outcome is a surprise (or was to me at any rate).









 

Sunday, 9 June 2013

W J Passingham - The Case of the Ace Acomplice - Sexton Blake Library - 3rd Series, Number 298






"The moon came up as twilight closed in over the River Thames. Shadows deepened along the banks on each side of the broad ribbon of water, so that wharves and warehouses, familiar enough in daylight, became shrouded in mystery."

With this splendidly atmospheric opening sentence, we are plunged into a vintage crime caper set in post-war London. I assume from the likely age of this SBL that it was quite contemporary at the time.

Journalist and author William John  Passingham (1897 - 1957) wrote fantasy and science fiction stories during the 1930s (dinosaurs in a lost world beneath the streets of London, that sort of thing) and was active in the Science Fiction Association* . In the post-war period he wrote a couple of `proper` books and, more importantly from our point of view, also penned a couple of titles for the Sexton Blake Library.

This is a creditable attempt at a `jewel heist` thriller , turned in by an author not known for this kind of thing. It is marred only by a certain tendency to throw everything but the kitchen sink into the mix, and, it has to be said, by a certain amount of carelessness on the part of the author. The fact that it turns out OK on balance is a credit to the author`s abilities, though one is left wth the feeling it could have been so much better.

As the story begins we encounter two of Passingham`s own characters, Inspector James Reck of the Thames Police (aka `Reck of the River`) and another officer, Inspector Clayton. Reck is a good, strong character with a lot of potential. I`d be interested to know if Passingham wrote any other `Reck of the River` tales. Clayton is a less developed character but a good foil for Reck and we do get some sense of who he is.

You might wonder if it was wise to have other fairly strong detective characters in a story devoted essentially to Sexton Blake  but to my mind the author does in fact pull that off.

He has less luck elsewhere. First we are introduced to a sharp-shooting expert on precious stones known as Diamond Willie (I`m not making this up !). A lot of time is spent on this character, and I feel that was a mistake. Next, roughly half-way through we have a gratuitous Cold War element thrown in for no good reason. The story is beginng to get a bit cluttered  and this is all the more regrettable given that the two main villains are not developed at all and remain simply names and descriptions.

There is also a problem of consistency. Blake periodically starts to talk like an American gangster ("I`ll bust this place wide open - and everybody in it.") and at another point a minor character, criminal Larry Parkes,  comes over all grammatical in an equally incongruous way ("I simply dared not open my mouth. Things look altogether different now, though, and I`ve had time to think the matter over carefully.")

I make no complaint about the many implausibilities that litter the plot - it`s a far-fetched tale, but it`s fun. I just can`t help feeling that Passingham could have turned in something great if he`d put his mind to it.

* http://www.sf-encyclopedia.com/entry/passingham_w_j